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Unknown Warwickshire

A Book called Unknown Warwickshire. It was written by Mary Dormer Harris and illustrated by James Edward Duggins. 220mm x 190mm

Upper Brailes. Estate sale catalogue. Front cover

Upper Brailes. Estate sale catalogue. July 1st 1868 Front cover.

Upper Brailes. Estate sale catalogue. Map - whole

Upper Brailes. Estate sale catalogue. July 1st 1868 Map - whole

Views of Leamington

Guide to Leamington published by Rock & Co. about 1864. It has a Red card cover with an embossed decorative border. It contains views of streets and places of interest in Leamington.

Views of Leamington and the Neighbourhood

Guide to Leamington by John Beck, published in 1831. It has a card cover and blue spine. The guide book contains views of streets and squares in Leamington. There are also views of local historic buildings ...

Warwickshire

A hard-backed book, from London, entitled Warwickshire. It has a blue cover with gilded foliage decoration and lettering. The book describes Warwickshire and is illustrated with colour plates of watercolour ...

Warwickshire Watercolours

A hard-backed book, from London, called Warwickshire Watercolours. It contains colour plates of watercolour paintings by Frederick Whitehead. There is a colour view of Anne Hathaway's cottage on the front ...

William Shakespeare, A Midsummer Night's Dream, 1600 [1619] - binding view

A smart 19th century binding on a Shakespeare 'quarto'. The ‘quarto’ editions of Shakespeare’s work were published as slim pamphlets. The original binding of this volume, would probably ...

William Shakespeare, A Midsummer Night's Dream, 1600 [1619] - bookplate

An owner’s bookplate in a Shakespeare ‘quarto’. The ownership of books is frequently indicated by a label or ‘bookplate’ created for an individual owner. The label of ...

William Shakespeare, A Midsummer Night's Dream, 1600 [1619] - Puck's epilogue.

Puck, as Epilogue in A Midsummer Night’s Dream. The fairy magic of A Midsummer Night’s Dream brings the play to an end as Puck speaks the epilogue after Theseus and his newly-wed courtiers ...

William Shakespeare, A Midsummer Night's Dream, 1600 [1619] - 'Pyramus and Thisbe' play, p.H3r.

The play presented before the court in Shakespeare's A Midsummer’ Night’s Dream. The play of ‘Pyramus and Thisbe’, like the other plays presented in Shakespeare’s Love’s ...

William Shakespeare, A Midsummer Night's Dream, 1600 [1619] - quarto edition, Oberon and Puck, p.C2v.

‘I know a bank where the wild thyme blows...’. The name ‘quarto’ used for the earliest printed texts of some of Shakespeare’s most popular plays refers to the size of ...

William Shakespeare, King Lear, 1608 [1619] - p.B2rof the second quarto..

An eternal theme - bastardy and legitimacy in Shakespeare. Edmund’s evil nature is presented immediately he is alone with the audience. The conflict between legitimate and illegitimate children ...

William Shakespeare, King Lear, 1608 [1619] - p.B2r, detail, Edmund's soliloquy.

‘Thou Nature art my goddess’: evil in Shakespeare. In the 'quarto' edition Edmund, the eldest son of the Earl of Gloucester, is named Bastard in the speech headings, perhaps reflecting ...

William Shakespeare, King Lear, 1608 [1619] - quarto title page.

Title page information about Shakespeare's the play of King Lear. This 'quarto' page is from the edition with a false earlier date on the title-page, published by Thomas Pavier without the permission ...

William Shakespeare, Love's Labour's Lost, 1631 - the play ends with a song of winter

Poetry in Shakespeare's plays: ‘When icicles hang by the wall’. The play of Love’s Labour’s Lost concludes, as was the custom in many comedies of the time, with a song, in this ...

William Shakespeare, Love's Labour's Lost, 1631 - the Nine Worthies' play ends

The conclusion of a Shakespeare comedy in dance and song: Love’s Labour’s Lost. Before the winter song comes a song of summer. Both are performed at the end of the play by the group of ...

William Shakespeare, Love's Labour's Lost, 1631 - title page detail

Shakespeare’s acting company and their theatres. In Shakespeare's time companies of actors needed a patron to exist within the law. The title-page of a 'quarto' paperback edition of one of Shakespeare's ...