Abraham Ortelius, Abraham Ortelius his epitome of the theatre of the worlde, 1603 - binding

Move your pointing device over the image to zoom to detail

Date:1603

Description:A binder's ornament on a book contemporary with Shakespeare.

The sturdy, leather binding on this copy of Ortelius' small atlas is the original which was probably created for the book’s first owner, whose choice of ‘blind-stamped’ ornament, is impressed, with a heated metal tool. No gold or other infill, is added, leaving the impression 'blind', or empty, on both the front and back boards.

Full title: Abraham Ortelius his epitome of the theatre of the worlde. Now latlye renewed and augmented. The mappes all newe grauen by Michael Coignet. London, printed for Ieames Shawe, 1603.


Timeline

The timeline shows resources around this location over a number of years.

1570s
Henri Estienne, A mervaylous discourse upon... Katherine de Medici…, 1575 - title page
Henri Estienne, A mervaylous discourse upon... Katherine de Medici…, 1575 - title page

Shakespeare may have owned this book. Shakespeare purchased New Place, the largest ...

1590s
William Shakespeare, Venus and Adonis, 1594, leaf F4v.
William Shakespeare, Venus and Adonis, 1594, leaf F4v.

Shakespeare’s first published works. The long poem, Venus and Adonis, was ...

1610s
Plutarch, The lives of the noble Grecians and Romaines, 1612 - Antony and Cleopatra, p. 922, detail.
Plutarch, The lives of the noble Grecians and Romaines, 1612 - Antony and Cleopatra, p. 922, detail.

Shakespeare followed this description of Cleopatra. Shakespeare became very ...

1630s
William Shakespeare, Quartos, Love's Labour's Lost, 1631 - title page
William Shakespeare, Quartos, Love's Labour's Lost, 1631 - title page

A play for the Blackfriars Theatre: Shakespeare's Love’s Labour’s Lost. The ...

View Location

Share:

Link to this resource

Donor ref:SR 87 [8,131] (32/10456)

Source: The Shakespeare Birthplace Trust - Library

Copyright information: Copyrights to all resources are retained by the individual rights holders. They have kindly made their collections available for non-commercial private study & educational use. Re-distribution of resources in any form is only permitted subject to strict adherence to the usage guidelines.